Notes and sketches in the sketchbook
There is little time to paint today considering all that needs to be done for open studio. But that doesn’t mean I am not thinking about it.
In a small village called Montpazier in the Perigord region of France, I snapped photos of an old gramma shopping for the day with her companion. This is a daily occurrance in Europe. Walking to town to buy the day’s groceries is the norm.
(I call her Opa). She is stooped with age and is obviously fighting back pain as she has her hands supporting her lower back when she walks. To me, the image speaks loudly of the human condition. I want to paint her . . .the scene. But design must first be done to get the max from the image and to keep it simple.
So, instead of painting, I can sketch for a few minutes and make notes to myself for when I can spend the time to paint. Eliminating details and having the overall shapes say what needs to be said is my goal. Contructing her on the canvas will be the key to the mood of the piece, as well as her placement in the overall design. What mood to I want to project? That is the question I must answer before painting.
So, here are my thoughts regarding placement. Eventually, I combine the shape of Opa with a younger woman pushing a baby carriage for more interest and contrast. I think it makes for a more interesting idea. You can see how I arrived at the idea of putting the two together. It was a process of trial and error and suggestions from each sketch.
You can also see the right angle of light crossing the pathway. Opa’s head will be in the vertical part of that light in the final piece as the center of interest, well to the right of center.