oil on linen panel, 8″ x 10″
Some days everything just seems to fall into place with ease. Today, this painting almost fell off the brush by itself . . .developed from another sketch. Do you suppose practice has anything to do with it? I do.
The way the light hits these cliffs and dances about is a constant source of delight to me. I hope you don’t get tired of them.
While cleaning my studio this last month ( a HUGE task, incidentally!) . . . . . .(why does it get that deep?) . . . . .I sorted through all of the last years’ panel paintings and culled out all of the unsuccessful ones . . .then painted over them with a light coating of orange paint and put them to dry. Those panels have been what I have been painting on for the last 7 paintings. I allow the orange undertone to peek through in a few places. It adds a nice ‘warmth and sparkle’ to the work. Also, I am testing a new medium as I paint these. . . . . Gamblins’ “Meglip” . . . . . . . . . . . . .I have never used it before, but I am noticing that the paint takes on a nice glow since the medium is nearly crystal clear. It will never yellow, supposedly. The paint also seems to shine a bit more than when I use “Liquin.” I will keep playing with it and see what comes up. . . . .and do some more research about it. Do any of you painters out there use it? Care to comment? I would appreciate any thoughts or guidance you might have.
Tomorrow, I open the studio to the public. I am ready! If you live in the Bay Area, or are travelling there this weekend or next, stop by. My address is on my website.
Whoops! It isn’t there like I thought it was! Best to email me if you need address and directions.