I sure don’t have the answers to that question . . .or the one before that. I find that the more experienced I become (read as ‘older’) I can see many more ‘needs’ that an unfinished painting has. Perhaps it all has to do with the spirit of what you are trying to communicate. In this piece, it was the ‘jazz’ of the shapes and the location of Park Guell in Barcelona. I painted much of this painting with my great friend Montserrat at my side. . . .both of us talking, visitors coming by and making comments . . .great friendship in a great place busy at work with making art. Mind you, I said making art . . . .not copying what we saw. We were finding ways to make shapes fit together in interesting ways and to subdue and emphasize different things. Add patterns and textures where they weren’t in order to create interesting and compelling relationships among the parts of the painting.
I really did just finish this painting but a few weeks ago. And it really was in my flat file for nearly 8 years. It had been waiting for me to grow enough to see what needed to be done in order to make a successful painting. Because of the time spent with Montserrat (Muntsi) and the location, I could hardly scrap it 8 years ago. This painting says so much more to me than ‘a place I have been.’
Isn’t that really the reason we paint? . . .to capture a spirit? A feeling? A mood? I suppose the painting is finished when we look at the painting and can feel that spirit.
If you are interested, click on this link to see images of Park Guell . . .designed and built by Antonio Gaudi.