So, I did.
Something about the usual portraits has always troubled me . . . .that is that many artists are so wrapped up in the details of the face, that they miss the value abstraction possibilities and the interest created by non symmetrical shapes. Mind you, I am not speaking of noses, chins, foreheads and that sort of shape. I am speaking of the shapes of the various VALUES of the light. In my book, it is the pattern of light on the face which makes a portrait much more powerful.
But what do I know? I don’t paint portraits. I slapped this one out in about two hours and realized that there is a lot to learn about color in portraiture. Temperature and intensities make huge differences in the painting of facial perspective.