I have a goofy, abstract side as well as a side of me that loves the implied realism which emerges when all of the elements and principles of design optimally meet.
That means that for ‘reality’ to emerge contrasts can’t get too far out of hand, shapes must be designed but recognizable, values must have their transitions and appropriate assignments. (by assignments, I mean that the dominant value of a region in the painting must have a dominance which seems to emulate reality.) And, of course, color has it’s place, too. Good color harmonies and gradations make all the difference in a well executed painting.
But!!! . . . . . .there are times when the playful side of me screams to get out. And . . .when that happens, just about anything will show up. In this case, it was more of what I had done earlier in the week at Yosemite. While Sentinel Rock was right out my back door, it’s shape is recognizable from all over the valley floor . . .and above the valley.
With sketchbook in hand in the mornings, I would draw from my previous sketches or paintings and redesign shapes . . .reorient their placement on the page . . .exaggerate or play down some shapes in order to call attention to something special. Set the values so the overall composition worked well, then set about painting it.
I just HAD to Play with color, too! Using a rigger brush with pure Perinone Orange (a brilliant red orange), I lined out all the shapes completely eliminating detail. Focus on shape, value and color. Period. Painting the inner parts of the outlined shapes in opaque gouache, holding down the intensity of the colors until the center of interest, where I played up the saturation, this was the outcome. Yep! It’s different, but definitely Yosemite.
By the way, if shape design is of interest to you, check out Peggy Stermer Cox’s blog (click here). (Check out her “Still Life with A Pony” images. What she does to keep a whisper of reality, yet make shapes leap out of the page is worthy of your time to go look. We could all learn much from her!