In my search to simplify and still entertain the viewer with excitement in my paintings of Linemen, I have begun an approach using orange (or other color) stained watercolor paper as a beginning.
mixed media 22 x 15 inches
mixed media 15 x 22 inches
The paper is stained with a weak solution of acrylic paint and water. Once completely dry the paper can be painted over easily with watercolor . . . . .yes! It can! Because the acrylic soaks into the paper, the paper still accepts the transparent watercolor paint. This will make for some interesting surprises in the resultant color, that is for sure!
Then, by adding gouache to the process in certain places, the orange stain is covered completely because the medium is opaque. Using a random brush stroke strategy and letting the brush run out of pigment before recharging allows some of the orange to peek through. This has the effect of unifying the painting by having variants of that orange being the basis of all colors and values throughout the entire piece. Additionally, the surface has an exciting vibrating effect which is stimulating to the viewer.
In “Spidermen”, above, I used tempera instead of gouache. I was most deliberate to also be conscious of edges and line in that piece in order for line to be an interesting element in the painting. The white helmets are pure tempera over the orange paper. The helmets are much easier on the eye in person. (The photograph seems to emphasize the impasto effect here.)
Obviously, I am still playing with simplified shapes and flattening the picture space. I have a long way to go to get what I am after, but the chase is absolute funn!! After all, it is only paper I am wasting.
Oh! You think I am wasting time too? Nope! I would have gotten older whether or not I was painting. Not a waste at all! I am LEARNING !!!