I am in my workshop season right now. Between traveling and teaching, working and leading a large art society, painting time is preciously little. So, I have to hurry and grab every minute I can . . . and mow the lawn, weed the garden, tidy up the studio, cook occasionally etc. (you know the drill.)
In my search to simplify and still entertain the viewer with excitement in my paintings of Linemen, I have begun an approach using orange (or other color) stained watercolor paper as a beginning.
A few posts ago, I mentioned that I have been fooling around with opaques. Namely, I have been using gouache in addition to using the transparent pigments in the same painting. The opaques have been used separate from the transparents to provide a subtle contrast. For example, the tree in the foreground uses gouache in foliage. While this helps the foliage stand off the underlying colors and values, it also has the effect of making the tree advance in the space . . . .or seem as though it is standing freely in space.
In addition, the opaques are used in parts of the sky to lend the atmospheric effects and the effects of diffuse light. Obviously, there is much much more to learn with these pigments and the ideas are literally keeping me awake at night! That is the exciting part of being an artist! The newness never seems to wear off . . . . .there is excitement at every turn for me. Many of my blog readers know me and can vouch for my enthusiasm over painting. It seems just as boredom begins to lurk, some new idea comes up and springs me into action . . . .and then the energy kicks in and I am off and running to paint a bunch of new pieces.
The last several paintings on this blog have employed the use of opaques in a variety of places. Maybe you can see where. Or better yet, why not come by the studio this weekend to see, in person, the paintings. As you already know, it is open studio weekend join us!!!